扬州办公楼设计公司欣赏--裸筑更新 Mixspace Mandela

设计伊始，我们并不知道该如何为这个新的联合办公项目注上代号，或许只是挑选几个朗朗上口的音节，使其叫出来显得洋气。

When we first started, we really did notknow what to call this new project of co-working design. We were just thinkingabout selecting a few catchy syllables, to make the name sound “trendy”.

直到有一天，我们从一本书上看到了一篇关于Nelson Mandela 的传记，以及这一句: We can change the world and make it a better place. It is in yourhands to make a difference.

Until one day，we read an article from the biography of Nelson Mandela, and it’s from this following sentence that we got the inspiration, “We can change the world and make it a better place. It is in yourhands to make a difference.”

自由与光

FREEDOM AND LIGHT

“自由”成为了裸筑在设计、规划“曼德拉”项目时的核心关键词。在建筑学中，自由往往通过光线的物理特征得以体现。而光如同空间中的魔法师，切换、转逆着空间的调性，代表着场域的精神。

“Freedom”is the key wordin ROARCHI’s “Mandela” Project design and plan. Physical characteristics oflighting in the space help to materialize the“Freedom” concept in architecturedesign. Lighting is the magician, who turns and spins the space, representing aspatial spirit.

动线

THE CIRCULATION

在“曼德拉”四层的厂房空间中，其内部情况是，29m×40m长宽。东西两侧两条消防楼梯以及西侧一部电梯作为垂直交通动线。

The inner space of Mandela’s four-storywarehouse is 40 meters long, 29 meters wide. One fire escape on the east side,one on the west side and together with one west-end lift, forming the verticaltraffic flow.

上海太阳高度角计算，中心线南北7.5米处，阳光无法直射，日照时间不足0.1小时。经这两点因素综合考虑，平均直径3.6米圆光筒从四层引入一层，照亮了原本中间无法得到日照的区域。同时，中庭弧形楼梯与光筒呼应，将整个室内空间分割成东中西部三个主要区域。东西部为主要工位区，中部楼梯作为主要交通动线以及整个场所光环境中心。

With the Shanghai solar altitude anglecalculated, we concluded the direct sunshine can neither reach the north norsouth area within 7.5- meters towards the center axis and the average dailysunlight received in this area is less than 0.1 hour. Considering these twofactors, we inserted a vertical light shaft with the diameter of 3.6 meters allthe way down from the forth floor to the ground floor, which lights up the areathat the sunshine could not reach before. Meantime, the curved staircase in theatrium supports the light shaft, dividing the interior into three majorsections, the east, the central and the west. The east and the west are mainlyused for working space, while the central facilitates the major traffic flow and serves as the lightedenvironment.

精神指向

DIRECTING THE SPIRIT

除了功能平面逻辑之外，裸筑更关注空间的精神指向。

Apart from organizing the logistics on thefloor plan, ROARCHI also emphasizes on bringing a spirit to the space design.

原本建筑构件的尊重，是我们对场域精神探索的**步。本案的建筑在八十年代时被翻修，砖混结构式厂房。在2014年被翻修新增钢结构并加固。原始混凝土墙及修补的建筑肌理被完整保留下来，并以清玻璃作为遮罩层，得到两种材质碰撞的效果。梯子作为空间中情感与功能的媒介，成为了交通以及社交的最重要的场所。

To discover the space spirit, we start fromanalyzing the existing structures and components. The building in project has abrick-concrete structured warehouse and was renovated in the 1980s.  In 2014, it was again renovated andreinforced with additional steel structures. The original concrete walls and itspatched texture have been well preserved and covered with clear glass, whichcreated an effect of two textures collage. The staircase, as the media foremotional and functional interactions, becomes the most important element inthis whole space.